Interview: Maria Bengtsson, The Marriage of Figaro
As part of the latest season at the Royal Opera House is Mozart’s comic opera, The Marriage of Figaro. Today we chat with Maria Bengtsson to find out more about the production which is packed with plot twists, forbidden desires and unforgettable melodies.
Could you start by introducing yourself and sharing how your passion for opera singing began?
My name is Maria Bengtsson and I am a lyrical soprano. I have sung Mozart roles on stage for over 24 years now. My passion for classical music was rooted in my family home in Sweden. My father and brother are also professional musicians. I sang in different choirs as a child and took piano lessons. When I saw Ingmar Bergman´s Magic Flute on television as a very young child my passion for opera was awaken. The complexity of the artform is so unique.
As you advanced in your career, what were the key elements that helped you succeed, particularly for aspiring opera singers?
To always try to be the best prepared on set. In every aspect.
This isn't your first performance at the Royal Opera House. What do you find most rewarding about returning to this iconic stage?
The professionalism and the lovely people you meet in every department at this iconic opera house. Starting with the staff members that greet you at the artist entrance: “ Hello Maria, so nice to see you again”.
Could you tell me about your role in The Marriage of Figaro and how you approached bringing this character to life?
To sing the Countess is always very special for me. I started to sing this role on stage in 2001 in Vienna. Is it the role that I have played the most and she is so very dear to me. The learning of a role never ends, it can never be a routine, every time I try to discover new things about her. Also, the constellation with new colleagues, and new sides to my role can and will come to life.
Opera is a deeply collaborative art form. How has working with the director, conductor, and fellow cast members in this production influenced your performance?
To work with Sir David McVicar, Julia Jones and all the cast members is a gift of its own. It is a collaboration of inputs, understanding and trust.
For those who are new to opera, what makes attending a performance such a unique and enjoyable experience?
Opera is the most complex artform we have. All arts are combined in one: theatre, music, design, painted art, etc.
Finally, what makes The Marriage of Figaro a must-see performance for audiences?
If you want to see one opera in your life and hear music by Mozart, The Marrige of Figaro in this specific production is a must. Your ears and eyes will thank you.
Maria Bengtsson performs in The Marriage of Figaro at the Royal Opera House 2 - 15 September, tickets from £12 at rbo.org.uk
