Extraordinary Women at Jermyn Street Theatre Review

Jasmine Kerr, Sophie-Louise Dann and Monique Young in Extraordinary Women. Photo by Steve Gregson

Written by Mia for Theatre & Tonic

Disclaimer: Gifted tickets in exchange for an honest review


The novel Extraordinary Women by Compton Mackenzie was first published in 1928, the same year as Virginia Woolf’s Orlando and The Well of Loneliness by Radclyffe Hall. Following its premiere at GSA in 2021, the musical adaptation by Richard Stirling and Sarah Travis has arrived in London, directed by Paul Foster

Although unfamiliar with Mackenzie’s original story, the book and its themes within are often referenced when discussing queer stories. Extraordinary Women sees a group of lesbians living on the fictional island of Sirene (based on Capri) having fun, dealing with love, loss and family issues, whilst all being enamoured by one woman in particular: Rosalba.

Although a little chaotic in its structure, the musical version of this story succeeds very well. The familiar Greek chorus of sirens - along with Sappho - takes centre stage to tell the story, with each of them taking on additional roles, and Stirling’s script is a witty one, with plenty of humour both verbally and physically in its staging. 

The cast is strong, and although there is perhaps a lack of chemistry amongst the women, there is camaraderie and rebellion. 

Sophie Loise Dann and Amira Matthews are sophisticatedly funny, their own humour shining through their performances, with plenty of smirking. Monique Young switches roles with ease and flirts outrageously with everyone, whilst Jasmine Kerr provides the contrast as a softer, sweeter Lulu. Jack Butterworth takes on multiple roles, performing them all distinctively, and each is very funny. Caroline Sheen (Rory) and Amy Ellen Richardson (Rosalba) are the only characters with just one role, but their performances are excellent; Sheen’s heartfelt and lovesick, alongside Richardson’s dismissive yet commanding presence. How could anyone not fall in love with her?

The score is pretty, perfectly suitable for the period in which the story is set, and with several memorable songs that are also funny, and these are delivered well by the actors. It’s a show that makes you long to be involved with, as it’s unique, fun, and doesn’t take itself too seriously.

Carla Joy Evans’ costumes are simple but effective, especially Rosalba’s trouser ensemble and her whole vibe feels very Madonna-esque. The switch between costumes is seamless and works really well throughout the show. 

Act II does lose its way a little bit, with an unsatisfactory ending that is a little unclear, but overall this is a fun show that works well in the intimate setting of the Jermyn Theatre.

Extraordinary Women plays at Jermyn Street Theatre until 10 August.

★ ★ ★ ★

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