Sister Act The Musical, UK Tour Review (2024)
Written by Stacy for Theatre and Tonic.
Disclaimer: Gifted tickets in return for an honest review. All opinions are our own.
The audience at the Darlington Hippodrome were feeling “Fabulous Baby” on Monday night as Sister Act, the stage musical adaptation burst onto the stage bringing a joyous and energetic blend of gospel, disco, and showbiz glitz to the theatre. Directed with vibrant flair, this production manages to capture the heart and humour of the original film while infusing it with the live-wire energy of the stage.
The story follows Deloris Van Cartier, a feisty nightclub singer who goes into hiding at a convent after witnessing a crime. The stark contrast between Deloris' bold personality and the subdued world of nuns provides endless comedic moments, but the musical also delves into themes of sisterhood, faith, and self-discovery, all set to a rich soundtrack composed by Alan Menken.
Leading lady Landi Oshinowo, playing Deloris, steals the show with charisma and powerhouse vocals. Her transformation from a self-centred diva to a caring and courageous leader is both believable and heartwarming. The chemistry between Oshinowo and the convent sisters, particularly the initially stern Mother Superior, adds depth to the comedic framework of the production. The role of Mother Superior, was played by understudy Kate Powell, who brought a refreshing take to the character, expertly balancing initial sternness with a deep sense of compassion that gradually surfaces throughout the show. Her interactions with Deloris were filled with tension but also subtle warmth, particularly during the heartfelt song "Here Within These Walls," where her voice shone. Her vocal performance was one of the most memorable of the evening, adding layers to the character's struggle between tradition and change. Supporting performances were equally strong. The ensemble of nuns shone, each bringing distinct personalities that play off one another beautifully. Standout numbers like “Raise Your Voice” and “Take Me to Heaven” allow these characters to showcase their vocal range while providing some of the show's most joyful moments.
Alan Menken’s score is one of the musical’s strongest aspects. The songs blend gospel, soul, and disco, creating a feel-good atmosphere that uplifts the audience. Numbers like “Fabulous, Baby!” and “Sunday Morning Fever” are infectious, prompting foot-tapping and hand-clapping throughout the theatre. Choreography plays a major role in the energy of the production. Big dance numbers are executed with precision and enthusiasm, especially when the choir of nuns step up from their modest hymns to full-blown disco celebrations. The contrast between their shy beginnings and their ultimate transformation into a confident, vibrant choir is delightful to watch. The set design complements the production well, switching between the glitzy nightclub world of Deloris and the austere convent. Simple but effective, it allows for seamless transitions without distracting from the action on stage. Meanwhile, the costumes capture the spirit of the show perfectly, particularly in the transition from traditional nun habits to the sparkling, sequined outfits for the final number. The flashy design adds an extra layer of fun and spectacle to the proceedings.
Sister Act shines as a musical that is both heartwarming and hilarious, filled with catchy tunes, spirited performances, and plenty of glittering, disco-infused fun. A true crowd-pleaser!
At Darlington Hippodrome until 14 Sept as part of the wider UK tour which finishes on 5 October 2024.
★ ★ ★ ★
