Rock of Ages by Obsidian Theatrical Productions Review
Stock image.
Written by Emily for Theatre & Tonic
Disclaimer: Gifted tickets in exchange for an honest review
Obsidian Theatrical Productions brought a riot of rock 'n' roll energy to the Dovehouse Theatre with their spirited production of Rock of Ages. With hair, humour and high notes aplenty, the cast delivered a thoroughly entertaining show, bursting with passion and a clear love for the material.
Set on LA’s Sunset Strip in the late 1980s, Rock of Ages follows aspiring rocker Drew and small-town girl Sherrie as they chase fame, fall in love, and fight to save their beloved rock club from demolition.
A solid ensemble helped bring this glam-rock world to life, and particular credit goes to the four principal dancers who brought a real spark to the stage. They threw themselves into the choreography with commitment and attitude, helping to elevate big company numbers and adding great energy to the show’s opening.
Choreographer Bethany Waller Scott deserves praise for crafting routines that suited the company well – they were tight, full of character, and clearly rehearsed with care. Waller Scott also shone in the lead role of Sherrie, bringing both vocal strength and charm to the part. Her performance stood out in the high-octane ‘We Built This City/Too Much Time on My Hands’ and the heartfelt ‘More Than Words’, beautifully complemented by Georgia Harley’s tender harmonies as Waitress Number One.
Dylan Norris was undoubtedly the star of the night, stealing every scene as Franz. His comedic timing, camp charisma, and sheer joy in ‘Hit Me with Your Best Shot’ were a real treat made all the better by his pairing with the equally entertaining Terry Deering as Hertz.
As Stacee Jaxx, Kyle Lough was another standout. Remarkably confident for his first time on stage, he embodied the washed-up rock god persona with swagger and ease, and his voice was a perfect match for the role’s gritty edge.
Director Robert Bateman also stepped into the spotlight as Drew, showcasing strong stage presence, though some of the higher notes felt like a vocal stretch – especially with a full week of performances ahead. Still, his commitment to both roles is admirable. Rounding off the key leads, Richard Bateman and Andrew Bateman made a brilliant comedic duo as Lonny and Dennis, with their rendition of ‘Can’t Fight This Feeling’ drawing big laughs and genuine warmth.
While there were a few clunky scene changes that slowed the pace and occasional moments where the cast seemed unsure of their blocking, these are teething issues that may well smooth out over the course of the run. The American accents weren’t always consistent, but the energy more than made up for it.
A special mention goes to Musical Director Phil Ypres-Smith and the band, who delivered a tight and driving sound throughout. Their energy added a huge amount to the overall atmosphere, and the little shouts and quips exchanged with the cast brought a lovely touch of humour and spontaneity to the show.
This was a classic “am-dram” production, but one powered by heart, humour, and hard work. Rock of Ages delivers exactly what it promises: a feel-good, rock-fuelled escape with plenty of laughs and big tunes. If you're after a fun night out, you’ll find it here.
Rock of Ages plays at the Dovehouse Theatre until 5 July.
★★★★
