REVIEW | High Society, The Mill at Sonning

Reviews

11 Dec

Written by Mia

Disclaimer: Gifted tickets in return for an honest review.

Sometimes a show comes along that is so joyful and engaging that you just want to jump on stage and join in: High Society at the Mill at Sonning, directed by Joe Pitcher, is one such musical.

Based on the 1956 film of the same name, as well as the 1939 play The Philadelphia Story, High Society is a fun frolic that looks at class, love and expectation.

The production oozes energy, with a dynamic cast that barely pauses to catch their breath as they dance and sing almost non-stop. Group numbers are impressive, but the real highlights are the more intimate songs, particularly ‘Who Wants to be a Millionaire?’, ‘Well, Did You Evah’ and ‘Little One’, all of which provide gentle humour and depth, as we see the characters’ real personalities emerge.

It’s a strong cast, with some fantastic singers and character actors, especially in the chorus who convey a lot with side glances and gestures. Incorporating the MD (Tom Noyes) and other musicians into the story is also a lovely intimate touch. The set is simple, but effective - manoeuvred around the stage by the cast to depict scene changes.

Victoria Serra is an excellent Tracy, morphing beautifully from standoffish to carefree. Her chemistry with her various beaus is entirely credible and her performance is a delight to watch.

Mike Connor (Matthew Jeans) has perhaps the most interesting character arc, starting as an angry young man, before starting to mellow as he gets to know the person behind the wealth. His performance is natural and engaging, with little touches of humour that enhance the character.

Dinah (Katlo) and Dexter (Matt Blaker) have a very sweet relationship, as they continuously mock each other whilst scheming to ensure a happy ending, and the actors work well together.

Act I does feel a little long and slow, as the story unfolds, but the second act is vibrant and chaotic - in a good way - as we join the characters at a wild party. ‘Let’s Misbehave’ is brilliantly staged, but the nuances continue throughout the act as the chorus and other characters sneak around with each other in a plethora of costumes and various stages of undress… it’s actually a real shame it isn’t an immersive show as the party looks a lot of fun, especially with so many cast members rocking the ‘dishevelled black tie’ look!

A fun, feel-good show full of high jinks and nostalgia.

At Mill at Sonning until 20 January 2024.