Interview: Gian Carlo Ferrini, The Ice at the End of the World

Inspired by a real-life journey to the Arctic, Katy Schutte’s new play debuts at the Omnibus Theatre this Autumn. Ahead of its run, we spoke with Gian Carlo Ferrini, a Venezuelan/Italian actor who stars in the production to find out more about it.

1. You are starring in Katy Schutte’s world premiere production, The Ice At The End  Of The World, to start with can you tell us what the production is about? 

The Ice At The End Of The World is a Cosmic Horror in which a group of artists are invited to a residency at the Arctic Circle to explore creation at the “edge of the world”.  As they sail further north, the group seems to awaken forces beyond their comprehension, pushing them to go as far as they can to work on their masterpieces,  despite the risks and extreme conditions. 

2. How does a production like The Ice At The End Of The World differ from the work you’ve done before and as a result, how has it challenged you as an actor? 

I had never worked on cosmic horror before, or personally seen it in theatre, so it's all very exciting. Since the genre relies heavily on the plot, it's been hard not to spoil anything! I can't wait for people to see the show so I can finally talk to them about it. 

3. You play the character of Alejandro, what drew you to the character and how have you personally connected with them whilst in development? 

Alejandro is confident and talented. He can freely express his feelings on a canvas and takes great pride in his work. However, he can get so immersed in his art that he risks losing himself in it. 

As a migrant artist, I appreciate when characters are written for international actors without that aspect driving the plot. Alejandro is a key part of the story, regardless of his nationality, and I relate to that. 

4. What has it been like working with Katy Schutte in bringing this story to life? 

It's been impressive to see how open Katy is to separating her roles as both writer and performer, it’s something I mentioned to her the other day. 

Katy, like the great improviser she is, has approached the development of the show with a “Yes, and...” attitude, which has been a great journey. Shout out to the entire team - "Yes, and...” has been our mindset from day 1.

5. The Ice at the End of the World is inspired by real-life event(s). How does this have an impact on the work that is being created? 

It’s been amazing - and very cool - to ask Katy about so many details; like the experience of living in a boat, the sounds, the interaction with the ice, or which characteristics she drew from real people. She has firsthand knowledge of what people would experience in the Arctic, and this has helped us build a world around us with detail. 

6. What has been the most challenging part of developing this show so far? 

This is a frenetic and physically demanding show, with an incredible cast. I feel so inspired, and I admire so much my colleagues for their skills, abilities, and energy, that I  can’t but to tag along and try to match their level.  

7. Does this show pull on any important topics for audiences to unearth, if so what are they? 

The Ice at the End of the World touches on the impact we’re having on our environment as we grow in numbers, take up more space, and see the ice melting - exposing us to both known and new dangers. 

8. Finally, why should people book tickets to see The Ice at the End of the World at  the Omnibus Theatre? 

I can’t wait for people to enjoy the stunning visuals, mythical references, mystery, and theatricality of The Ice at the End of the World. I’m sure audiences will have an amazing time at the Omnibus Theatre this autumn!

The Ice at the End of the World is playing at the Omnibus Theatre until 12 October 2024.