Christmas Comes To Moominvalley, Jackson’s Lane Review
Written by Greta for Theatre and Tonic
Disclaimer: Gifted tickets in exchange for an honest review
Christmas can be a scary and confusing time; while this lesson is learnt by most adults the hard way, it becomes a lively subject of exploration in Christmas Comes to Moominvalley.
In this production – adapted from Tove Jansson’s short story The Fir Tree – Moomintroll, Moominmamma, Moominpappa and Snorkmaiden, who usually hibernate in the winter and wake up in the spring, are awakened from their slumber with a warning of Christmas soon arriving. Not knowing anything about the festivities, they assume Christmas is a monstrous creature and that the traditions attached to it must have a protective function for them to get through its coming.
As we follow the puzzled and alarmed Moomins getting through the motions associated with Christmas – including obtaining and decorating a tree, and searching for presents – there is time for both fun and reflection. The set design (Alison Alexander) is particularly well-suited for creating some beautiful moments, such as the scenes set in a smaller, highly atmospheric domestic space where the Moomins live.
The puppetry is well-designed and effective, with the cast switching from their roles as Woodies (inhabitants of Moominvalley) to giving life to the soft, white trolls and their eccentric neighbours. The actors deliver playful, seamless performances rooted in an energetic commitment to physicality, with Xenia Garden shining in their role of co-narrator and musician.
The creative captioning embedded in the show has the potential to elevate it, adding an element of whimsy while making the piece more accessible. The most enjoyable moments are delivered when the circus-style performance, full of feats that can only look that easy when there’s a lot of skill behind them, clearly serves and enhances the narrative – such as the fun, polished cooking section.
From the contemplation of a sky full of stars to the musical moments accompanied by a harp, the aim of this production seems to be contemplative and rich in atmosphere; quieter, more meditative children will be inspired by its unhurried charm.
At Jackson’s Lane until 05 January 2025
★ ★ ★.5
